Layering GAN animations with Baroque lettering, video montage and esoteric iconography, Stephen McLaughlin responds to the Maxwell Sterling’s disorientating sonics with a maximalist cinematic assemblage. On Turn Of Phrase Maxwell Sterling interpolates spatiotemporal displacement into highly emotional, richly textured sound design, feeding neoclassical instrumentation and arrangements into an experimental electronics centrifuge to distill a sound […]
The post Stephen McLaughlin & Maxwell Sterling summon images from the digital void in Decay Time appeared first on Fact Magazine.
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