by Linear Kaos , in General , and

Artist Sarah Badr combines tactile sound design with pulsating 3D models in a synaesthetic journey through a visceral digital environment in six parts. In Azimuth, audiovisual artist Sarah Badr channels a tension between organic and synthetic forms, digitally rendering pulsating alien objects and shimmering surfaces that change and transform in a responsive, symbiotic relationship with […]

The post FRKTL conjures organic textures in impossible spaces with Azimuth appeared first on Fact Magazine.

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