by Linear Kaos , in General , and

From the most simple sine wave to the most intricate data visualisation, Ryoji Ikeda understands his audiovisual art practice in explicitly musical terms. “Music is beautiful because you can’t see it, and you can’t touch it, but everyone knows it,” he asserts. “You don’t need to have it explained, you don’t need special tools to […]

The post Fact Residency: Ryoji Ikeda appeared first on Fact Magazine.

Be the first person to like this
Similar news
Techno music’s creation in the 1980s by Juan Atkins, Kevin Saunderson and Der...
03 June, 18:02
DJ Pacifier embarks on a frenzied sprint through memes, movie samples and ridic...
08 May, 11:00
An “exploration of aquatic themes” from Russell E.L. Butler. Across their c...
18 May, 11:02
Drawing inspiration from late ’90s horror, directors Karo Rutkowska and Ezekiel...
02 August, 13:35
Developed from a previous collaboration between the two artists, 3000 Mirrors u...
28 June, 11:26
Weirdcore delves into his new work Subconscious, an abstract journey into the i...
29 July, 09:11
Jasmín chases winding polyrhythms and dubbed out bass buzz through global club ...
03 July, 12:39
Experimental sound design, vocals and club music combine on a session from the ...
17 June, 11:58