Multidisciplinary artist Shuang Li weaves together stock footage into glossy artificial textures, illuminating the flattened Vocaloid emotion of Osheyack’s astonishing ‘Still’. ‘Still’ is the astonishing centrepiece of Osheyack’s latest album for SVBKVLT, Intimate Publics, a haunting sonic assemblage of deep ambient rumble and the reverberant ricochet of stock samples lifted from Yamaha’s Vocaloid software, a […]
The post Shuang Li & Osheyack reflect on the death of the image in ‘Still’ appeared first on Fact Magazine.
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