An evocative portrait of the city’s in-between spaces, within which it is possible to extract oneself from relentless urban malaise, suspended in transit from one time and place to another, in a process of psychological and spiritual transformation. In one of the opening scenes of The Sun Has No Shadow a modulated voice quotes art […]
The post Rebecca Salvadori reflects on intimacy, community and liminality within London’s contemporary rave scene in The Sun Has No Shadow appeared first on Fact Magazine.
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